Tunisian dispatches: TUNIS | DJERBA ISLAND | KAIROUAN | KERKENNAH ISLAND
DISPATCH: Kairouan, Tunisia
September 26, 2001
"Kairouan leaves a lasting indelible
impression on the visitor. It's like something out of one thousand and one
nights, its penetrating, intoxicating aroma, which is at the same time
enlightening."
...Paul Klee
Klee is right: there were moments during my one night in Kairouan that
are indelibly impressed in memory; the enlightenment part is where the
extra thousand nights would come in handy. The work he created under its
spell might, however, bring one intoxicatingly close to revelation. I
found Kairouan jammed with countless moments of visual, visceral
transcendence.
This was my first solo road trip since my arrival in Tunis ten days
ago. By e-mail, friends from the states had expressed concern about my
being in a Muslim country during this time of upheaval. The press has
continually expressed its concern about Americans traveling abroad in
Muslim countries. I myself had run through enough gruesome death scenarios
to flesh out several bloody B-grade movies (the agonizing poison in my
Turkish coffee, the tortuous kidnapping by evil masked Muslims, the
historic plot to make an unforgettable example out of an American
traveler, ME). Finally, speculation must be challenged by experience; I
had to go it alone.
Encouraged by the relentless good will of the local souk vendors
(tainted as those interactions are by the hoped-for exchange of money for
goods), I determined that if I was ever going to visit Kairouan, the
fourth holiest city in all of Islam, (after Mecca, Medina and Jerusalem),
it had better be before the expected American retaliation, before
the jihad. This stretch of limbo is precious and, I suspect, on short
side.
The two-hour bus trip proved uneventful; there was only one other
non-Arab traveler, a young Gaul bound for a week in the desert. At the
Hotel la Kasbah, a renovated citadel cum five-star hotel skirting the old
medina, the staff was cordial and after three tries, finally gave me an
adequate room overlooking the pool. Stunning though it was (how I wanted
to lie by the glittering water and fry a bit), I left my luggage and
immediately strode off to the souk. I ran the gauntlet of souvenir vendors
who all tried to guess my nationality, probing with their multi-lingual
imprecations. No one guessed American. No one enticed in English. Once I
said "Amerikia," however, they visibly softened (tempering their surprise)
and were extra welcoming, extra gracious. I gamely wandered around,
inquiring after old silver (there was none) and old carpets (ditto). At
one rather large store, I asked the shop owner if he had any old kilims.
He guided me to a small back room and pointed to the dirty floor where
several shabby carpets were in use: "this is an old one, that
is an old one, this…" I looked from the floor to his eyes, my
expression wavering between insult and exaggerated disbelief. We both
saved face with a few forced laughs. Apparently, in Kairouan anyway, there
is no concept of old stuff being valuable; I'd expected just the opposite.
I finally bought one new little 2'x3' Berber kilim (in another store) that
was handsome enough. Not one other carpet even tempted me.
Late afternoon found me deep in the old medina, slanted light glancing
off walls of glacier blue and shock white, a labyrinth of broom-swept
alleys so clean they could be inside someone's home. Waves of
dry-ice cool tripped me up; I had to shut my eyes and inhale, staggering
like a drunk: the visual intoxication of old peeling paint. Every few feet
was a door more fabulous than the last, all rivets and aged wood, arched,
patched, hinged and hardwared, each with so much character they cried out
to be photographed. I heard their cries. I took their photos: a Paul Klee
moment.
Eventually, I stumbled across the Mosque of the Three Doors, built in
AD 866 by a holy man from Cordoba, Spain. Closed to non-Muslims, I was
satisfied to photograph the exterior, its frieze of beautiful Kufic Arabic
script elevated to high relief by the afternoon light. Rectangular carved
wood doors crowned by three stone brick arches: simple, glorious,
unexpected.
I had a few encounters with the people who lived there, since there
were no tourists in this area. Their faces were open and friendly, and I
felt so accepted that no fear even nibbled at my well being. Of course, I
didn't have an American flag on my tee shirt; still, I feel that these
people can easily separate a government from one of its citizens. I felt
vindicated and very happy to have made the trip.
Next, however, came the sticky part. In Tunis, I was given the number
of a friend of a friend: I phoned a certain Nordeen and we arranged to
meet for dinner. When I saw him, I realized that he was the quite affable
man behind the tourist information desk where I'd stopped earlier that
afternoon. His eyeglasses were memorable: regular lenses with a convex
circular piece of glass glued dead center. When I looked him in the eyes,
the size of them changed as his head turned. An eerie experience and one
that I'm sure had some effect on his interactions with others (read:
women). He was 35 years old and a bit full in physique (is it 'physique'
when full or does it then become mere 'body'? Easier if I weren't so PC to
just write 'fat.' O Berkeley…)
After a rather quiet, but tasty, dinner of couscous, Nordeen wanted to
pick up a carpet from a friend. It turned out that he had to drive to
Tunis the next day to deliver it, and hoped I could stay yet another day
for his personally guided tour of Kairouan, even though, mind you, he
spoke VERY little English. I left it as a possibility: anything is
possible. We then went to the Kasbah for a coffee and sheesha; he stashed
his 8'x10' carpet with the backdoorman, praise be to god. Surrounded by
high rampart walls dotted with narrow gunnery windows, we sat in the
outdoor café, bougainvillea and palms all creating the steep ambiance that
mood lighting and five stars will provide. Our small talk was staying very
small (see above) but the apple-flavored tobacco and Turkish coffee were
sublime. Now, in walked the trouble.
His name was Mohammed and I'm sure he had known Nordeen forever in this
small town. I saw immediately that he was a bad boy, and there was a
palpable shift in power; Nordeen's face took on the diffident glaze of the
often trounced. He chatted with Mohammed in Arabic, introduced me, and I
offensively attempted to include them both equally in the limited
conversation provided by my Arabic. Mohammed spoke fluent French and
German, no English. But his eyes spoke with sparkles and glints, teeth
flashing white during his intentionally effective smiles.
I must speak about this bad boy phenomenon, familiar with it as I am.
There are those who are the real thing, irreducibly, honestly,
confidently. They have a talent for connection, they are the lovers. Then
there are those who talk about being bad boys, a sure anti-talent.
They are the approximators, the accidentally lucky, the studied imitators.
Antonio Banderas vs. Burt Reynolds. I thought at first Mohammed was a bad
boy; turns out he is a 33 year-old wanna-be. Optimistically, he may be a
has-been; all he wants now is to be in America, and I was to hear more
about this than I ever cared to.
As I visually went in for a close-up, I could see the slightly staccato
flutter of his lashes, the less slight movement of his lips, a trembling
of individual nerve fibers, caffeine driven, perhaps, but probably of
nervous origins, performance driven. This, at least for me, is a
trait that I naturally select out: a man who oversteps his bounds and
doubts himself in the same instant. It's not a quality of survival. The
mind is over-engaged and will always eventually fuck things up. The life
force, the juice, is choked by tentacles of mental interference and
need. Ugly to watch. They've seen too many bad movies and have met too
many careless tourists.
Finally, begging out of this endless evening, I went upstairs and
watched too much BBC. I didn't type a word, didn't open a book, just tried
to soak up some of the reality of this mind-bending situation, or at least
the reality as presented by the media. Bush says that life must go on. I'm
trying.
The next day, after a leisurely morning in the Kasbah, I met Mohammed.
He was going to take me to his mother's for yet more couscous (insha 'allah, I will eat fish
soon…) and we would then see some sights. I'd been handed over to the
available and the semi-experienced. Fatima was a very aged 67 years old,
understandable after 10 children. His sister, Rahma, at 23, was the baby.
She spoke a bit of English, having learned some in school. They wanted me
to spend the night; I had every intention of leaving on the five o'clock
bus.
We ate in their tidy terrazzo-floored, tiled and stuccoed living room, squatting
on short benches around an equally squat table. It was delicious, and Mohammed predictably sealed his fate when he
returned after a wash-up smelling of a particularly offensive (to me)
combination of musk and citrus. I could barely stand to be next to him.
But I stood it for as long as it took to get through a day of
site-seeing, relative visiting, errand running, all the taxis on his dime,
as I was his guest. I saw more beautiful things and took more photos. The
human part I always find much more intriguing, especially when it all ends
well. I got out of dodge at the appointed hour and back to Monia's by
eight. Al hamdulilah. ♦
Tunisian dispatches: TUNIS | DJERBA ISLAND | KAIROUAN | KERKENNAH ISLAND |